As someone who does a lot of self-tracking in the control room, this mic has proven to be indispensable to me and is my go-to mic for vocal ideas that often get used in the final mix. The ability to sustain ridiculously high SPL's make this a great snare drum and high hat mic. Vocalists out there who want to own their own mic for gigging - look no further! All products are subjected to quality control to ensure they pass the mark. Their design is robust and attractive as well, adding to the dexterously developed technology. Go to your local store and give it a try, or buy it and never look back! Both mics also come in two color varieties: black and nickel. Will this be a problem? Delightfully, both KMS mics come tour-ready. I've used it on vocals for live recordings as well as in the studio. Which means it shines on vocals where there is a lot of man handling - although no mic is perfect for this, but this gets good results in lowering those unwanted stage noises. Neumann KMS 104 vs 105: Here is the winner! KMS 104 can only suppress unwanted sounds emanating from the rear, not the sides. In this article, we’ll discuss the two distinct condenser microphones manufactured by Neumann, i.e the Neumann KMS 104 and Neumann KMS 105. Logitech G Pro vs G Pro X: 4 Differences and 6 Similarities, FL Studio vs Ableton: Here Is Our Best Pick! The quality and the texture is super smooth and surprisingly desirable - transparent but 'alive'. Amazing intelligibility and vocal transparency guarantee precise sound reproduction. Take a look at them: Also read:Neumann TLM 103 vs AKG C414: Which is the Best Mic for Vocals? Overall, this is a great sounding microphone with the convenience of being in a handheld format! The KMS 104 is mildly more pop sensitive than the KMS 105. Its unique supercardioid pattern attenuates all noise emanating from the sides and rear, making it better for concerts and other loud stage performances. The Neumann KMS 104 and Neumann KMS 105 mics can easily deliver impressive sound quality for vocals, brass instruments and acoustic guitars with impressive elegance. When you buy products through links across our site, we may earn an affiliate commission. The dimensions of Neumann KMS 104 differ slightly from those of KMS 105: the former measures 8.2 x 3.7 x 3.7 inches whereas KMS 105 comes in at 8.1 x 3.5 x 3.5 inches. Its cardioid voice directionality cancels sounds originating from the rear, producing an intriguing bass range. The headgrilles are purely made using hardened steel – these are easy to unscrew, allowing you to spruce up the acoustic filters inside. You'll be a convert in seconds! There is also a 104 plus, which has a slightly extended low frequency response. The sound quality is simply excellent and suits a wide variety of voices. It’s best suited for performance in loud stage environments. Despite the wide-ranging similarities between the Neumann KMS 104 vs 105, they also bear a few similarities. You get an accurate reproduction of vocals, sounds, and speech when using either KMS 104 or KMS 105 condensers. The Neumann KMS105 Pro Stage Condenser Microphone is a very interesting creature in my opinion. Once the capsule has been compromised in this way, the mic can no longer be used for close-proximity vocals. Apparently, the Neumann KMS 105 condenser mic is more compact than KMS 104 counterpart, meaning it can fit into tighter spaces. The Neumann KMS 105, on the other hand, has a supercardioid pattern that allows it to attenuate sound from the rear and the sides as well. The Neumann KMS series of handheld condenser mic's are very versatile and sound great. This microphone also has a much-improved bass range that is perfectly optimized to meet the requirements of female voices within the pop and rock niches. It really shines with male lead vocals, and delivers really detailed low end frequencies. Upon purchasing either the KMS 104 or KMS 105 mics, you get a lovely matching stand clamp and a padded nylon bag where you store everything when touring. The stem is sturdy since it’s constructed from steel. Its rugged construction and exquisite sound quality. Neumann KMS 104 and KMS 105 are the condenser microphones often preferred by recording artists and sound engineers because of their high fidelity and exquisite responses even at higher frequencies. I hear that it shines with strings, but I'll have to put that to the test, but I imagine it would be a good choice in that setting too. I was an instant fan and went out and bought one for my stage rigs, and have been mixing with them ever since, especially for lead vocals and most recently horns too. The sound quality is unparalleled, and the off-axis response is a life-saver - especially on the KMS 105. The KMS 105 has a super-cardioid pattern and is great at rejecting surrounding noise and focusing in on the vocal. Although the Neumann kms 104 vs 105 battle was close, kms 105 takes the day. I definitely recommend this mic to the stage engineers out there who want a great lead vox mic and/or great horn mic, but I also recommend it to the project studio owner who wants a sweet sounding mic that also handles low noise super well and produces interesting textures and gutsy low end with crispy highs on a dime [relatively speaking]. I was literally stunned at how present and powerful this microphone was. There are two main color options for the Neumann KMS 104 and KMS 105 microphones: black and nickel. Please know that your trust is so important for us. There are two: the 104 being the cardioid and the 105 super cardioid. The KMS 105 is optimized for live stage performances. From big detailed lows, to near perfect detailed highs without getting shrill and always cutting through in the mix. You’re able to produce smooth, natural vocals in live concerts. Apparently, the Neumann KMS 105 condenser mic is more compact than KMS 104 counterpart, meaning it can fit into tighter spaces. Thanks to their impressive vocal filters, both the KMS 104 and 105 handle very high levels of sound pressure and guarantee optimum feedback protection.