The snare is a very crucial instrument and you’ll need a dedicated mic for it. You need not worry about the annoying cables and clutter that are a part and parcel of any mic set up. These mics are affordable and are better suited for stage and live shows. The placement of the mic, the quality of the drums and the drummer’s style and strength decide the ultimate quality of sound produced. Electro-Voice PL35 Tom/Snare & Instrument Microphone, Avantone Pro ADM Dynamic Snare Drum Microphone. Obviously you can get away with 3 Microphones and still compete, especially if you know what you’re doing. Here are the best snare drum microphones: In this case, my choice is the Shure SM57. Be ready to be mesmerized by the quality of the snares both on stage and in recording studios. There is a minimal distortion of sound. Where clear precise and clean sound matters, the Shure is sure to be found. It is only through repeated trial and error can you position and align the mic favorably. I guess it’s a matter of taste. If you are dissatisfied with the quality of the snare sound, it’s time to opt for the best snare mic in the business. I notice that leave out from the list brand like Audio Technia wich provide a great varaity of options for recording drums with excellent results. Here are a few tips that can enhance your experience. The best type of mic for recording the drum room is a condenser. You can’t just pick up any mic and start recording. Durability: Snare mics invariably at least once in their lifetime will have to bear the brunt of the drums sticks because they are placed close to the drum set. Remember this will make a difference to the sound quality. The SPL should not overpower the amp system with a loud snare because the mic is held at a close distance to the drum. The Sennheiser e602 is a low-frequency microphone that works flawlessly on heavy sound sources... Sennheiser e901 The right angle of the mic removes the need for XLR connectors leading to visual clarity in the setup. This product is really value for money , it is surprisingly a cheap buy for excellent performance. Number of mics: Do you want both top and bottom snare mics or just one will do. Constructed of die cast metal and protected by a strong steel casing, the mic is built to last and withstand the rough handling of drummers. The frequency also matters. The frequency response of 50 HZ to 15 kHz. An SPL of 140 decibels and a frequency response of 50 Hz to 16 kHz make it an ideal snare mic. You can do away with the hindrance of mic stands with this Shure mic as it comes with its own drum mount which can safely be attached to the rims of the snare drums. As you know there are two main types of mics- dynamic and condenser. Probably one of the nicest looking snare mics in the business the Avantone comes in an elegant wine red finish. The CAD Audio weighs only 9.6 ounces making it a lightweight choice on stage. My best advice is to always have 5 mics. Omni directional – sounds are picked from all directions, Bi-directional- sounds are picked from east and west. This also applies to many other genres as well. The swivel joint makes sure that you don’t waste time meddling with positioning and pay heed to other important aspects of music. Normally, snare mics are dynamic in nature because they are sturdier and are built to handle the pressure of hands and follow the cardioid pattern. The mic is ideal not only for snares but also for guitars, keyboards, toms, and congas. There are a lot of benefits for recording the kick drum individually instead of relying … Choosing a great snare drum mic is not as daunting as choosing a mic for other sounds like vocals for instance. Using 2 condenser mics always produces a rich sound, especially if it’s 2 of the same microphone (a pair) recorded in stereo.